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CRIME AND PUNISHMENT Review

Sin, Sentence, and Salvation
The allegory of Crime and Punishment

Crime and Punishment, one of the more famous works of Fyodor Dostoevsky, is considered "the first great novel of his mature period," (Frank, 1995) and is one of his more famous books, rivaled only by The Brothers Karamazov. What makes Crime and Punishment such a classic? Perhaps because it is a picture of the only classic, and greatest story of all time. Crime and Punishment is an allegory of Salvation.

Self-justified

The main character, Rodion Romanovich Raskolnikov, was a poor student at a university, and was overcome with hate toward an old pawnbroker, and decided to rid the world of her for the greater good of everyone. He believed that she was a "louse," and since everyone would be happier without her, his actions would be justified. He believed that he had broken the letter of the law only, but that it didn't have any authority over him anyway because it was written by people just as low as himself. He didn't believe in God, and in prison he was convinced that he didn't deserve his treatment, and that it was something he simply needed to get over with. He had no higher authority, so he said "my conscience is at rest." This is a picture of man before he is touched by the merciful salvation of Christ.

A Troubled Man

Although Raskolnikov justified his actions in killing the old woman, he still felt an overwhelming sense of guilt and fear over what he did. He worked very hard at keeping it a secret, and at first he thought he could live with the guilt that sat in back of his mind, but he was wrong. Raskolnikov had horrible dreams, was always sick, and one of the other characters noticed that he was constantly "set off by little things" for no apparent reason (though the reader knew that it was only because it reminded him of his crime). This represents a man who knows in his heart that he is a sinner, but who will not turn and repent from his sin.

Unending Love

Sonya Semyonovna Marmeladov was the daughter of a drunkard who "took the yellow card" and prostituted herself to support her family. Throughout the book, Sonya began to love Raskolnikov. Eventually, Raskolnikov told Sonya his secret. Sonya was horrified, but still loved him and forgave him after her initial shock wore off. As Raskolnikov was fighting inside with his conscience and his sins, he repeatedly snapped at her, refused her comfort, yelled at her, and so on. He was a bitter, angry, hateful man--and yet Sonya forgave him for everything he did to her, and everything he had done in his past. What redeeming quality Sonya saw in the wretch and why she forgave him, one cannot begin to comprehend; aside from the simple truth that Sonya was a loving, gentile, merciful girl. She saw that Raskolnikov needed someone to love him and she reached out to him, even when he repeatedly pushed her away. Sonya's love for him is a picture of Christ's unending and perfect love to His sinful people.

A Silent Witness

When Raskolnikov finally broke down and confessed his crime, Sonya moved to Siberia with him. Raskolnikov expected this, and knew that telling her not to come would be fruitless. She visited him often in prison and wrote to his family for him. But although Raskolnikov expected her to preach to him and push the Gospel in his face, she did not. Sonya followed the scripture's instruction to Christian wives with non-Christian husbands in 1 Peter 3:1--" Wives, in the same way be submissive to your husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives..." The verse tells women to be good examples of Christ to their non-Christian husbands rather than to preach to them and try to convert them, and that is exactly what Sonya did, even though she was not married to him. She did not try to convert him with words; rather she won him with her love. She did not push the Testament into Raskolnikov's hands, he asked for it. When she did bring it, she did not pester him to read it. She had faith, and showed Raskolnikov the love of Christ through her actions. In the end, it paid off. Although Dostoevsky does not specifically say that Raskolnikov was converted, he does imply that he eventually became a Christian when he mused "Can not her own convictions now be mine?"

The truth will set you free

When Raskolnikov finally realized that he loved Sonya, he accepted that he was a criminal, and a murderer. When he finally accepted that he was a sinner, he repented and had a new life in him. He said he felt like "he had risen again" and that Sonya "lived only in his life." By life, Dostoevsky refers to his mentality. Before, he had been a living dead man in prison. He was hated by his inmates, was almost killed by them in an outbreak, was unaffected by anything that happened to him or his family, and eventually became ill from it all. But after his resurrection, he repented from his sins, learned to move on with his life, and started to change. He began to converse with his inmates, and they no longer hated him. Sonya was alive in his "life" because of her love for him. When he was changed, she was so happy that she became sick with joy, to the point that she was ill in bed. Dostoevsky paints a picture of a redeemed man at the end of his novel--redeemed both by the law, and by God. This picture symbolizes the miracle of salvation through Christ.

An amazing Allegory

Dostoevsky was a wonderful writer because of his use of dialogue to tell the story, his descriptive scenes, his powerfully developed characters, and their inner dialogue. He often times told you that something was happening by only telling you what the character who was speaking at the time said in response to what was going on. For example, if Sonya was standing up, Dostoevsky would write "... `hey, what do you stand for?' for Sonya had stood."

He also painted such good descriptions of his characters, that by the middle of the book he didn't have to say that Raskolnikov was musing in the corner of the room, glaring at anyone who was brave enough to look at him, while he stewed in grief under his old ratted cap, because you knew from how well he was described earlier and how well his character was developed from the dialogue, that he was doing exactly that.

His characters are so real, they almost frighten you because you see the things they do and feel and experience reflected in your own life. They are not perfect--in fact they are all incredibly flawed, but they are a joy to read.

His ending is superb, because he closes the story without actually telling you everything. He never says that Raskolnikov was converted, he never says when he got out of prison, and he never says that Sonya and he were married, but you know that it happened. The last scene of the story is so superb, it makes you want to read it again, just to experience the joy all over again.

But what really made Crime and Punishment the classic that it was is the picture of the best story in the world, the classic story of the world, showing through. The story of the Gospel, of Jesus Christ's unending love and sin and salvation is clearly portrayed, and makes a joyous read.

Works cited:

Quotes are from Crime and Punishment by Fyodor Dostoevsky, 1886

Frank, Joseph (1995). Dostoevsky: The Miraculous Years, 1865-1871. Princeton University Press. ISBN 0-691-01587-2. (source found and taken from [...])

1 Peter 3:1 New International Version of The Holy Bible

Audio review: I had a hard time reading the book, simply because it was so huge that it was intimidating. I bought (ouch) the audio book of Crime and Punishment, recorded by Anthony Heald who did a fantastic job reading. His voices for the characters perfectly matched them, he felt for them, and he acted them. None of them were cheesy (yeah you all know how lame some male readers are at acting female voices). He read fast enough that the story didn't drag at all, but not so fast that you'd feel like you'd miss something if you didn't listen hard. I will definitely re-listen to the audio book.

Content: some gruesome descriptions of blood from the murder

Recommendation: Ages 14+

CRIME AND PUNISHMENT Overview

TRANSLATOR'S PREFACE

A few words about Dostoevsky himself may help the English reader to understand his work.

Dostoevsky was the son of a doctor. His parents were very hard-working and deeply religious people, but so poor that they lived with their five children in only two rooms. The father and mother spent their evenings in reading aloud to their children, generally from books of a serious character.

Though always sickly and delicate Dostoevsky came out third in the final examination of the Petersburg school of Engineering. There he had already begun his first work, "Poor Folk."

This story was published by the poet Nekrassov in his review and was received with acclamations. The shy, unknown youth found himself instantly something of a celebrity. A brilliant and successful career seemed to open before him, but those hopes were soon dashed. In 1849 he was arrested.

Though neither by temperament nor conviction a revolutionist, Dostoevsky was one of a little group of young men who met together to read Fourier and Proudhon. He was accused of "taking part in conversations against the censorship, of reading a letter from Byelinsky to Gogol, and of knowing of the intention to set up a printing press." Under Nicholas I. (that "stern and just man," as Maurice Baring calls him) this was enough, and he was condemned to death. After eight months' imprisonment he was with twenty-one others taken out to the Semyonovsky Square to be shot. Writing to his brother Mihail, Dostoevsky says: "They snapped words over our heads, and they made us put on the white shirts worn by persons condemned to death. Thereupon we were bound in threes to stakes, to suffer execution. Being the third in the row, I concluded I had only a few minutes of life before me. I thought of you and your dear ones and I contrived to kiss Plestcheiev and Dourov, who were next to me, and to bid them farewell. Suddenly the troops beat a tattoo, we were unbound, brought back upon the scaffold, and informed that his Majesty had spared us our lives." The sentence was commuted to hard labour.

One of the prisoners, Grigoryev, went mad as soon as he was untied, and never regained his sanity.

The intense suffering of this experience left a lasting stamp on Dostoevsky's mind. Though his religious temper led him in the end to accept every suffering with resignation and to regard it as a blessing in his own case, he constantly recurs to the subject in his writings. He describes the awful agony of the condemned man and insists on the cruelty of inflicting such torture. Then followed four years of penal servitude, spent in the company of common criminals in Siberia, where he began the "Dead House," and some years of service in a disciplinary battalion.

He had shown signs of some obscure nervous disease before his arrest and this now developed into violent attacks of epilepsy, from which he suffered for the rest of his life. The fits occurred three or four times a year and were more frequent in periods of great strain. In 1859 he was allowed to return to Russia. He started a journal--"Vremya," which was forbidden by the Censorship through a misunderstanding. In 1864 he lost his first wife and his brother Mihail. He was in terrible poverty, yet he took upon himself the payment of his brother's debts. He started another journal--"The Epoch," which within a few months was also prohibited. He was weighed down by debt, his brother's family was dependent on him, he was forced to write at heart-breaking speed, and is said never to have corrected his work. The later years of his life were much softened by the tenderness and
devotion of his second wife.

In June 1880 he made his famous speech at the unveiling of the monument to Pushkin in Moscow and he was received with extraordinary demonstrations of love and honour.
A few months later Dostoevsky died.

CRIME AND PUNISHMENT Specifications

Mired in poverty, the student Raskolnikov nevertheless thinks well of himself. Of his pawnbroker he takes a different view, and in deciding to do away with her he sets in motion his own tragic downfall. Dostoyevsky's penetrating novel of an intellectual whose moral compass goes haywire, and the detective who hunts him down for his terrible crime, is a stunning psychological portrait, a thriller and a profound meditation on guilt and retribution.

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Customer Reviews

Great translation of a classic - Crazy4Sting - Ohio
I only gave it 4 stars because I have been spoiled by Pevear's translation of Anna Karenina and nothing can hold a candle to that. However, this is a great book and a great translation. I read it fairly quickly on my Kindle and in some places I couldn't put it down (in others, I had to put it down). Everyone should read this international classic. BTW: Great Kindle price.

If you ever want to get into someone else's shoes without the pain - M. Chen - Los Angeles, CA USA
This book really puts me on the edge as I sympathize with the main character over his misfortune, agonize with him over his actions, fearful of his punishment that seems inevitable, despairing over the repercussion it will have on his family and loved ones, all the while, hopeful that things will workout somehow and that all is not lost. It's like watching a disaster happen slowly before my eyes without the power or the will to stop it.

The writing style, character and plot development are all perfect. The only thing I'd complain about would be that the book started off with an interesting moral debate over "If you can kill one bad person but save many innocent, should you do it?", but that was left hanging as the main character no longer concerns himself with this philosophical debate. But then again, it maybe better left to a different book as it was more of a catalyst for the plot and not meant to be a center piece.

A classic to read very slowly in order to understand its underlying messages - Manuel Gwiazda - Buenos Aires, Argentina
Being Dostoyevsky an observer of the inner world that comes out of the perceptions of the mind, this novel is about the ravings of a poor helpless University Student drop out who happens to rent a cramped one room studio in San Petersburg, Russia. He needs money desperately and one day decides to kill and old nasty lady who makes her business pawning objects and to whom he had pawned some jewelry belonging to his mother.
The book can be divided in my opinion in three parts, 1) All the process that leads to the murder of the lady as seen from the inside of the mind of Raskolnikov ( this poor innocent that would never kill a fly, planning to murder someone)these few chapters are colorful, full of suspense action and very gripping indeed like in the best hard boiled novel you can find 2) Intermediate chapters that plod along describing the environment where Raskolnikov lives showing the social reality of the Tzarist Russia of that time and 3) How Raskolnikov reveals his crime to the outside, gets convicted, put on trial and sentenced. In every case Dostoyevsky does not focus on the story but in the feelings and emotions that go through the mind and soul of the characters as they interact among themselves like in the best psycho fiction novel and this carries along the action unfolding the story. In order to understand and properly follow this author one must reflect himself on every sentence one read so as not to lose the thread. So do it slowly. Crime and Punishment is a classic worthy to read

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Saturday, July 3, 2010